बहुत मासूम सी यह लड़की है इश्क की बात नहीं समझती
बहुत मासूम सी यह लड़की है इश्क की बात नहीं समझती।।
ना जाने किस दिन में खोई रहती हैं मेरी रात नहीं समझती
हाँ .. ह्म्म .... सही बात हैं ...... तो कहती हैं
हाँ .. ह्म्म .... सही बात हैं ...... तो कहती हैं
अल्फाज़ तो समझलेतीं हैं लेकिन जज़्बात नहीं समझती।।
बहुत मासूम सी यह लड़की है इश्क की बात नहीं समझती।।
हाँ .. ह्म्म .... सही बात हैं ...... तो कहती हैं
हाँ .. ह्म्म .... सही बात हैं ...... तो कहती हैं
Hindi verse can be withdrawn if all else fails from article, which is vernacular foreseen that would pass on significance in a more wide and less joined way, an unprecedented bit of the time using more whole cognizant or record structures than Shayari does. This does not by any strategies propose that Shayari is senseless, yet rather that Shayari is chronically made using the need to make tracks in a converse course from the smart, what's more presenting thoughts and specific enunciations in a tight, solidified manner. English Nostalgic maker John Keats named this escape from commence Negative Capacity. A further multifaceted nature is that work Shayari joins the qualities of Shayari with the shallow appearance of making, for instance, in Robert Ice's verse, "Home Internment." Diverse structures merge account Shayari and excited Shayari, both of which are used to relate stories consequently look like books and plays. Notwithstanding, both these sorts of Shayari use the specific fragments of Shayari relationship to make these stories more gigantic or to enhance them by a few techniques.
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